Commitment in the Artistic Practice of Aref El-Rayess Christina SpittelIn her study of Aref El Rayesss The 5th of June, or, The Changing of Horses, Natasha Gasparian reveals that the picture was presented and received, allegorically or metaphysically, as an idealized narrative of national liberation. By tracing the caesuras and slips in discourse, she reconstructs an alternative reading of the artworks uncanny yet historically determinate character.
Conflict photographer and critical theorist Rita Leistner applies Marshall McLuhan's semiotic theories of language
It identifies the important synergies that grew between a new civic culture and the wider imperial project
paintings and museum exhibitions to show how aspects of hispanic visual culture ‘manage’ or ‘mediate’ risk
online and offline activism
The edition includes an extensive scholarly introduction to the attitudes toward money-lending in early modern England
the first extended feminist look at this modern dance pioneer
A trilogy of site-specific performance texts
with a general introduction and new prefatory material for each chapter
Contemporary focus
In closely-read case studies
Foxley challenges received ideas about the Levellers as social contract theorists and Leveller thought as a mere radicalization of parliamentarian thought
this conference served to shift the Red Cross movement towards peacetime and public health work
