Earspasm Bass Clarinet Mouthpiece Baritone Saxophone

Earspasm Bass Clarinet Mouthpiece Baritone SaxophoneLet me start with a quick story trust me, it's worth it, and helps explain why I made these mouthpieces. When I met Franklin Cohen (Cleveland Orchestra, 1976 2015), I learned pretty quickly that he changed mouthpieces like most people change reeds. Like, he'd swap mouthpieces in the middle of concerts. But I will never forget what I saw during one concert. He was playing Respighi's Pines of Rome. You know, the one with this beautiful, quiet, stressful

the best in the world

but there is zero question that this instrument is better than the Kessler Custom

in exchange for an instrument that is easier to control)

I'd say this: when people play the Zenit they say "Whoa

and Buffet got most of the way there a completely different way

needs no soaking

centered sound

It has an "A-frame" bore

alongside the Royal Firebird

it's probably more aesthetic than anything

Durable: Created from a virtually indestructible polymer blend with non-mechanical switches

parents noticed it cost less than a wooden clarinet